Wednesday, December 31, 2008

UNIVERSAL PICTURES 2009


DUPLICITY
March 20, 2009


Oscar® winner Julia Roberts and Clive Owen reunite for Duplicity, from writer/director Tony Gilroy (seven-time Oscar®-nominated Michael Clayton). In the film, they star as spies-turned-corporate operatives in the midst of a clandestine love affair. When they find themselves embroiled in a high-stakes espionage game, they discover the toughest part of the job is deciding how much to trust the one you love.

CIA officer Claire Stenwick (Roberts) and MI6 agent Ray Koval (Owen) have left the world of government intelligence to cash in on the highly profitable cold war raging between two rival multinational corporations. Their mission? Secure the formula for a product that will bring a fortune to the company that patents it first.

For their employers—industry titan Howard Tully (Tom Wilkinson) and buccaneer CEO Dick Garsik (Paul Giamatti)— nothing is out of bounds. But as the stakes rise, the mystery deepens and the tactics get dirtier, the trickiest secret for Claire and Ray is their growing attraction. And as they each try to stay one double-cross ahead, two career loners find their schemes endangered by the only thing they can’t cheat their way out of: love.


FAST AND FURIOUS
April 3, 2009


Vin Diesel and Paul Walker reteam for the ultimate chapter of the franchise built on speed—Fast and Furious. Heading back to the streets where it all began, they rejoin Michelle Rodriguez and Jordana Brewster to blast muscle, tuner and exotic cars across Los Angeles and floor through the Mexican desert in the new high-octane action-thriller.

When a crime brings them back to L.A., fugitive ex-con Dom Toretto (Diesel) reignites his feud with agent Brian O’Conner (Walker). But as they are forced to confront a shared enemy, Dom and Brian must give in to an uncertain new trust if they hope to outmaneuver him. And from convoy heists to precision tunnel crawls across international lines, two men will find the best way to get revenge: push the limits of what’s possible behind the wheel.


STATE OF PLAY
April 17, 2009


Oscar® winner Russell Crowe leads an all-star cast in a blistering thriller about a rising congressman and an investigative journalist embroiled in an case of seemingly unrelated, brutal murders. Crowe plays D.C. reporter Cal McCaffrey, whose street smarts lead him to untangle a mystery of murder and collusion among some of the nation’s most promising political and corporate figures in State of Play, from acclaimed director Kevin Macdonald (The Last King of Scotland).

Handsome, unflappable U.S. Congressman Stephen Collins (Ben Affleck) is the future of his political party: an honorable appointee who serves as the chairman of a committee overseeing defense spending. All eyes are upon the rising star to be his party’s contender for the upcoming presidential race. Until his research assistant/mistress is brutally murdered and buried secrets come tumbling out.

McCaffrey has the dubious fortune of both an old friendship with Collins and a ruthless editor, Cameron (Oscar® winner Helen Mirren), who has assigned him to investigate. As he and partner Della (Rachel McAdams) try to uncover the killer’s identity, McCaffrey steps into a cover-up that threatens to shake the nation’s power structures. And in a town of spin-doctors and wealthy politicos, he will discover one truth: when billions are at stake, no one’s integrity, love or life is ever safe.


WILD CHILD
May 8,2009


Sixteen-year-old Poppy (Emma Roberts, Nancy Drew) is a self-obsessed, incorrigible brat who lives a pampered life in her L.A. world. Though she’s handed credit cards with unlimited balances and surrounded by countless hangers on, Poppy can’t escape the mounting frustration she feels with her family situation. And she makes sure that everyone knows it.

After an over-the-top prank pushes her father (Aidan Quinn) one step too far, Poppy is shipped off to an English boarding school. Finding herself in a foreign world of early curfews, stern matrons and mandatory lacrosse, the American princess has finally met her match: a school of British girls who won’t tolerate her spoiled ways.

Under the watchful eye of the school’s headmistress (Natasha Richardson) and surrounded by a new circle of friends, Poppy begrudgingly realizes her bad-girl behavior will only get her so far. But just because she must grow into a fine young lady doesn’t mean this Wild Child won’t be spending every waking hour shaking up a very proper system…


DRAG ME TO HELL
May 29, 2009


Director Sam Raimi (Spider-Man trilogy, Evil Dead series) returns to the horror genre with Drag Me To Hell, an original tale of a young woman’s desperate quest to break an evil curse.

Christine Brown (Alison Lohman) is an ambitious L.A. loan officer with a charming boyfriend, professor Clay Dalton (Justin Long). Life is good until the mysterious Mrs. Ganush (Lorna Raver) arrives at the bank to beg for an extension on her home loan. Should Christine follow her instincts and give the old woman a break? Or should she deny the extension to impress her boss, Mr. Jacks (David Paymer), and get a leg-up on a promotion? Christine fatefully chooses the latter, shaming Mrs. Ganush and dispossessing her of her home.

In retaliation, the old woman places the powerful curse of the Lamia on Christine, transforming her life into a living hell. Haunted by an evil spirit and misunderstood by a skeptical boyfriend, she seeks the aid of seer Rham Jas (Dileep Rao) to save her soul from eternal damnation. To help the shattered Christine return her life to normal, the psychic sets her on a frantic course to reverse the spell. As evil forces close in, Christine must face the unthinkable: how far will she go to break free of the curse?


LAND OF THE LOST
June 5, 2009


Space-time vortexes suck.

Will Ferrell stars as has-been scientist Dr. Rick Marshall, sucked into one and spat back through time. Way back. Now, Marshall has no weapons, few skills and questionable smarts to survive in an alternate universe full of marauding dinosaurs and fantastic creatures from beyond our world—a place of spectacular sights and super-scaled comedy known as the Land of the Lost.

Sucked alongside him for the adventure are crack-smart research assistant Holly (Anna Friel) and a redneck survivalist (Danny McBride) named Will. Chased by T. rex and stalked by painfully slow reptiles known as Sleestaks, Marshall, Will and Holly must rely on their only ally—a primate called Chaka (Jorma Taccone)—to navigate out of the hybrid dimension. Escape from this routine expedition gone awry and they’re heroes. Get stuck, and they’ll be permanent refugees in the Land of the Lost.

Based on the classic television series created by Sid & Marty Krofft, Land of the Lost is directed by Brad Silberling and produced by Jimmy Miller and Sid & Marty Krofft.


FUNNY PEOPLE
July 31, 2009


Over the past few years, writer/director Judd Apatow (The 40-Year-Old Virgin, Knocked Up) has shown that nothing—not even losing your virginity or the miracle of childbirth—is sacred. About his third film behind the camera, he says, "I’m trying to make a very serious movie that is twice as funny as my other movies. Wish me luck!" Apatow directs Adam Sandler, Seth Rogen and Leslie Mann in Funny People, the story of a famous comedian who has a near-death experience.

Adam Sandler, Eric Bana, Jason Schwartzman, RZA and newcomer Aubrey Plaza join a cast that reunites Judd Apatow with Seth Rogen, Leslie Mann and Jonah Hill in their third comedy together.



THE WOLFMAN
November 6, 2009


Inspired by the classic Universal film that launched a legacy of horror, The Wolfman brings the myth of a cursed man back to its iconic origins. Oscar® winner Benicio Del Toro stars as Lawrence Talbot, a haunted nobleman lured back to his family estate after his brother vanishes. Reunited with his estranged father (Oscar® winner Anthony Hopkins), Talbot sets out to find his brother...and discovers a horrifying destiny for himself.

Lawrence Talbot’s childhood ended the night his mother died. After he left the sleepy Victorian hamlet of Blackmoor, he spent decades recovering and trying to forget. But when his brother’s fiancĂ©e, Gwen Conliffe (Emily Blunt), tracks him down to help find her missing love, Talbot returns home to join the search. He learns that something with brute strength and insatiable bloodlust has been killing the villagers, and that a suspicious Scotland Yard inspector named Aberline (Hugo Weaving) has come to investigate.

As he pieces together the gory puzzle, he hears of an ancient curse that turns the afflicted into werewolves when the moon is full. Now, if he has any chance at ending the slaughter and protecting the woman he has grown to love, Talbot must destroy the vicious creature in the woods surrounding Blackmoor. But as he hunts for the nightmarish beast, a simple man with a tortured past will uncover a primal side to himself…one he never imagined existed.


CIRQUE DU FREAK

Cirque Du Freak tells the frightening tale of a boy who unknowingly breaks a 200-year-old truce between two warring factions of vampires. Pulled into a fantastic life of misunderstood sideshow freaks and grotesque creatures of the night, one teen will vanish from the safety of a boring existence and fulfill his destiny in a place drawn from nightmares.

14-year-old Darren (Chris Massoglia) was like most kids in his suburban neighborhood. He hung out with his best friend, got decent grades and usually stayed out of trouble. But when he and his buddy stumble upon a traveling freak show, things begin to change inside Darren. That’s the exact moment when a vampire named Larten Crepsley (John C. Reilly) turns him into something, well, bloodthirsty.

Newly undead, he joins the Cirque Du Freak, a touring sideshow filled with monstrous creatures from a snakeboy and a wolfman to a bearded lady (Salma Hayek) and a gigantic barker (Ken Watanabe). As Darren flexes his newfound powers in this dark world, he becomes a treasured pawn between the vampires and their deadlier counterparts. And while trying to survive, one boy will struggle to keep their brewing war from devouring what’s left of his humanity.

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